July--A Month of Movies
Jul. 31st, 2010 11:41 pmAhh, again, Long Time No Post. What have I been doing? Let's see, this month, movies. Movies out at actual movie theaters.
More specifically,in order of viewing, these: (US, 2010 unless otherwise noted)
Harold and Maude (1971)
Date Night
The Iron Horse (1924)
A Spray of Plum Blossoms (Shanghai, 1931)
Rotaie (Italy, 1929)
Metropolis (Germany, 1927)
The Flying Ace (1926)
The Strong Man (Capra, 1926)
Diary of a Lost Girl (Germany, 1929)
Häxan: Witchcraft Through the Ages (Denmark, 1922)
Man with a Movie Camera (Russia, 1929)
The Woman Disuputed (1928) (see icon)
L'heureuse mort (France, 1924)
The A-Team
Rear Window (1954)
Dinner for Schmucks
Inception
It must be noted that the middle set -- from "The Iron Horse" to "L'heureuse mort" -- were, unsurprisingly, sort of a package deal, as I attended the San Francisco Silent Film Festival. So those eleven features (plus three 2-reelers, a number of shorts, two presentations by archivists, and a panel with the musicians playing for the festival [one Maestro of the Mightly Wurlizer, two pianists, three ensembles]) in a 4-day period. Or really, in 3 days plus following one opening night feature. So that was intense, and fabulous, and not actually Silent at all (see musician list). (for the interested, brief program notes here: SFSFF filmguide)
The last four were all in the last week, and kind of couldn't be more different.
Whew. In closing,
Self Portrait with Theater

Self Portrait with Theater, Interior

More specifically,in order of viewing, these: (US, 2010 unless otherwise noted)
Harold and Maude (1971)
Date Night
The Iron Horse (1924)
A Spray of Plum Blossoms (Shanghai, 1931)
Rotaie (Italy, 1929)
Metropolis (Germany, 1927)
The Flying Ace (1926)
The Strong Man (Capra, 1926)
Diary of a Lost Girl (Germany, 1929)
Häxan: Witchcraft Through the Ages (Denmark, 1922)
Man with a Movie Camera (Russia, 1929)
The Woman Disuputed (1928) (see icon)
L'heureuse mort (France, 1924)
The A-Team
Rear Window (1954)
Dinner for Schmucks
Inception
It must be noted that the middle set -- from "The Iron Horse" to "L'heureuse mort" -- were, unsurprisingly, sort of a package deal, as I attended the San Francisco Silent Film Festival. So those eleven features (plus three 2-reelers, a number of shorts, two presentations by archivists, and a panel with the musicians playing for the festival [one Maestro of the Mightly Wurlizer, two pianists, three ensembles]) in a 4-day period. Or really, in 3 days plus following one opening night feature. So that was intense, and fabulous, and not actually Silent at all (see musician list). (for the interested, brief program notes here: SFSFF filmguide)
The last four were all in the last week, and kind of couldn't be more different.
Whew. In closing,
Self Portrait with Theater
Self Portrait with Theater, Interior